Dear Author,
AO3 user
sadlikeknives here, really excited to find out what you're going to write for me! I'm sure it's going to be great. For all of my requested fandoms, I have requested
fic only.
Basic likes: I strongly prefer third person prose. I like pining, hurt/comfort, people using other people's prejudices and expectations of them to their own advantage, loyalty kink, competence kink, scars, soulbonds and soulmates, sexy-type biting and bloodplay (especially in vampire-related contexts and possessive/claiming type werewolf contexts), size kink (I really like both the bigger guy manhandling the smaller guy and the smaller guy loving it, and the smaller guy bossing the bigger guy around and the bigger guy loving it). I'm down with porn or not porn for all shippy pairings.
DNWs:
- bestiality (including shapeshifters in animal form)
- scat or watersports
- cannibalism/vore
- noncon or dubcon
- infidelity/cheating involving requested characters (so like, a PI handling a cheating case is fine; also, there's a canon-specific exception to this below)
- omegaverse, aka a/b/o, or any other type of mpreg
- graphic animal harm (for example: mention of a werewolf eating a bunny: fine; graphic description of what happened to the bunny: not fine)
- death of requested characters
Adrien English – Josh LanyonAdrien English/Jake RiordanMan, did these two have a long and rocky road to happiness, but they got there! I love how they both made bad decisions (I mean, Jake made the worst bad decisions, just, spectacularly bad, but Adrien also made some mistakes along the way let's be real) and screwed things up and they had to
really work to get to where they were supposed to be, and be happy, and now they're
there. In the Holmes & Moriarity book where they guest-star there's a line about how they look like they went through a war to be together, and it's not that far off. I'm so happy for them.
Speaking of that infidelity DNW, uh, here's looking at you, Jake Riordan! It's kind of hard to avoid that one with this pairing. I'm fine with discussion of the canonical, historical instances of infidelity as necessary for your fic to work, but please no new/additional cheating for these guys.
1. Accidental Baby Acquisition. That's it that's the prompt. (God help Adrien.)
2. Alternately, Deliberate Baby Acquisition. Just...listen, Jake Riordan really, really, really wants a baby. And I know Adrien thinks he is bad with kids but maybe after Natalie has her kid and he has actually been around a baby some he changes his tune?
3. Supernatural AU: Adrien is some type of fae, or possibly a dhampir/born vampire/something of that nature. Jake is probs a werewolf but I'm open to alternatives.
4. The one where Jake came to his senses a lot sooner and didn't marry Kate Keegan, who after all never asked to be included in this narrative. It's up to you whether or not he and Adrien sorted their shit out at that point in time or still took a while. (Maybe how does the whole thing with Paul Kane go down in this reality? If Jake and Adrien still stayed split up for three years (and presumably Jake went back to the club/Kane) I think it's really different than if they got together a lot sooner (in which case Jake probably would not have gone back to the club/Kane), but I feel like definitely at least the murder would have still happened, so it could be interesting either way.)
5. So. In one of the Holmes & Moriarity novels there's a line that closes one of the great plot holes of the Adrien English series, namely, "How the hell has a man who is regularly told he looks like Montgomery Clift and Matt Bomer been single for several years AND on a long dry streak at the start of his series?" The answer turns out to be, "He is staggeringly oblivious to when he is being hit on, to the point that every gay guy in mystery publishing has struck out with him without him ever knowing it," which lines up with his reaction to Kevin O'Reilly in
A Dangerous Thing literally bringing him chocolates. I would like to see Jake figuring this out and being charmed by it (and maybe a little amused by his own past jealousy of Kevin) and Adrien remaining his oblivious self.
6. We Are Trying To Have A Nice Normal Vacation/Honeymoon But Someone Is Mysteriously Dead, Goddammit Adrien.
The Art of Murder Series – Josh LanyonJason West/Sam KennedyBless these guys' hearts, they're so bad at this and all the mayhem and murder and living on opposite sides of the freaking country doesn't really help, but they're trying because they love each other so much, even if it seems to be against their own will/better judgment at times. I love how bad they are at communicating, like, Jason still thinks he is the more emotionally invested one here when Sam is clearly a
fucking mess over him. I'm really cheering for them. I want these two crazy kids to make it.
Prompts!
1. Supernatural AU. I have a lot of ideas here, I'm sorry. Take what you will, or don't:
- Jason is still an art crimes expert from an old money family, just, he's also a born vampire (or maybe fae, but vampire works really well with my next point). If you're familiar with the
Night World series (a formative influence of my adolescence), I'm thinking something broadly along the lines of their
lamia.
- Sam is probably still human (or not, surprise me) but is maybe a hunter type/specializes in supernatural killers (or supernatural serial killers? idk). Maybe Ethan's unsolved murder was committed by a vampire (and if you don't want supernatural stuff to be known, maybe nobody believed him). This could add a delicious extra layer of conflict into Sam's resistance to getting involved with Jason.
- Or maybe Sam sees dead people and that's why he's so good at his job.
- If you want to do something with the stalking stuff obviously Kyser is some form of supernatural entity. If not, some twist on one of their cases (maybe the victims in
The Mermaid Murders were actual mermaids?) or just them navigating their relationship with these additional factors.
2. Something from Sam's POV would be awesome. I have this deep and abiding love of that scene in
The Monet Murders where Sam's first sighting of Jason in eight months is him striding down the beach toward him
in a tuxedo, and the delayed realization by the reader that that scene was painstakingly designed by the universe/author to punish Sam for his sins. Or when Jason thinks Sam is taking this whole thing really calmly in
The Magic Murders and then opens the door to his office and realizes that uh really not so much. So just getting inside Sam's POV! What does Jason/Jason's actions look like from his perspective?
3. Okay, so I really enjoy domesticity, and these guys are...not great at it. But I would like to see them figuring it out together. Maybe something from that second week in Wyoming when there wasn't an art theft or surprise serial killer, or any other unspecified time where they manage to be in the same place at the same time long enough for questions like, "What are we going to do for dinner?" or even "Uh West are you aware there are fake flower petals on your coffee table?" to matter. (I got a great fic in this vein for Yuletide, but I always want more of this kind of thing. It's a flaw.)
4. Case fic! Art and murder intersect once again! Maybe a serial killer is posing their victims like famous paintings or stealing art from them or something IDK and Sam is like, "YES AN EXCUSE TO SEE MY BOYFRIEND" but in like a very professional manner. (This prompt presupposes that Jason doesn't get fired after
The Monuments Men Murders.)
5. It's Valentine's Day, and Jason and Sam are in the same place at the same time. Do they attempt the romantic dinner out thing? Or do they stay in and have lots of sex and chocolate? It's up to you.
6. H/C but now the shoe is on the other foot and it's Sam that needs taking care of. (There's
this outtake, but I always want more of this kind of thing.) Maybe something happens to Sam on the job, or maybe he gets injured in some random and slightly embarrassing way, or maybe the one weekend they can manage in the same place this month is just also the one weekend Sam has the flu.
Benjamin January Mysteries – Barbara HamblyBenjamin January/Abishag Shaw, Benjamin January/Rose Vitrac January/Abishag ShawYou remember waaaaaaaaaay back at the end of
A Free Man of Color when Shaw's standing by Ben's table at the Place des Armes Because Society and Ben's like, "Or you could sit the fuck down one of these days?" Gentle Author, I shipped it then, and I ship it still. I just want to shove them together like a couple of really tall Ken dolls and go, "NOW KISS." I love how they navigate their godawful society's expectations and restrictions, how they often communicate via what's not said. I love how tentative Ben has always been to trust Shaw, in the face of evidence that Shaw is All In on trusting Ben, and then how in
Murder in July he realizes Shaw would march off to assassinate the Queen of England if he asked him to (although it sort of drives me crazy that then at the end of the book Hannibal and Ben decided they needed to pull a fast one on Shaw just in case he randomly decided to confiscate the papers at the expense of Rose, like that's a thing he would ever do). I love how committed to justice they both are, and how they recognize that's different from the rule of law, and their mutual frustration with society's preference for a tidy resolution over true justice being done. I love how respectful they both are of the other's skills, and how they both use other people's expectations of their behavior. In short, I love them, and I want more of them.
And Rose! I love Rose! She's so practical except when it comes to science, when she is often two seconds away from an explosion, and she and Ben are so good together! And I think she would basically be the boss of Shaw and he would let her.
Quick note: As I said above I'm really not into straight up infidelity/cheating, and Ben, of course, has a wife. So if you don't want to write the poly option, you could set your fic before Ben met Rose, or handwave the whole relationship away/platonic, or have Rose be really open-minded because she's Rose, but please: no straight-up cheating.
Additional note: I have to confess, I'm shallow. I generally picture Shaw as more, you know, sexy scruffy (like, Hollywood historical scruffy) than with the level of hygiene, if one can even call it that, described in the books, because seriously, he's an intelligent man, he knows what soap is for,
why will he not use it?? It's not cute. So, like, if you could steer away from descriptions where he is as unpleasant as in canon, I would greatly appreciate that.
Prompts
1. Possibly Shaw could be pining after Ben. I feel like this makes a lot of narrative sense. Like, he knows it's useless and never gonna happen (but then it DOES?) and probably beats himself up over it, but ooooh that commitment to justice and all that expertise, so sexy. Possibly Rose has known about this for a while and is amazed Ben has been so oblivious.
2. They could investigate something new! Who's dead, in the middle of a scandal, or robbed blind this week? Which combination of medical, musical, tracking, science, and marksmanship expertise saves the day? (Maybe Shaw and Rose have to team up?)
3. Concept I know I've been banging like a drum for a while now, but that's because I love it so: Abishag 'what is bathing, and also, I can track you through a hurricane' Shaw is a werewolf. (And just maybe Hannibal is a vampire?) Ben finds out (Silver allergy? Something connected to a case?). He's intrigued. Possibly, together they fight supernatural crime.
4. What if, for case-related reasons (he's posing as part of a band of slave stealers or something), the Best Possible Option in the moment is for Shaw to, say, shoot Ben? Like, wing him, in the arm or something, and then Ben dramatically falls into a river and Shaw's like, "Welp, guess that one's dead
dear God please let there not be any snakes or gators and please let me have basically missed for once." And then he spends some amount of time anxiously afraid he's just killed Ben before he's able to sneak off and find him and like, help him tend to his wounds.
5. While so much of these books is in the setting, I just really love modern New Orleans. Like a lot. And it's still very atmospheric, no? Picture it: Shaw's still a cop, Ben's a surgeon who moonlights in a jazz band. Rose is a badass chemistry professor at Tulane. Together, they solve crimes. And make out.
6. Shaw realizes that, vis a vis the end of
Murder in July, Ben has
not yet gotten the memo that he's All In, and his feelings are really hurt, but he's trying to be, like, an adult about it. Things get awkward. Possibly Rose has to knock some heads together.
Abishag Shaw & Olympe CorbierThere's a line from the
Hidden Legacy books that came to mind when I thought about this team-up, something like: "My job in this family of Care Bears is to provide logical analysis." And I feel like Rose would protest that that's her job, but honestly, Shaw and Olympe are both, in their own ways, a lot more practical and just
colder than the rest of Team January. Plus, they met when Shaw arrested Olympe for murder, and as Ben pointed out, he wouldn't have arrested her if he didn't think she really might have done it, so uh, they got off to a great start. I feel like they're never really going to 100% trust each other, especially on Olympe's side (and that Shaw would just be like, "Fair.") but that over time a certain amount of respect may have developed.
Prompts!
1. Shaw has a voodoo problem or just needs to know something about voodoo for a case, and obviously there is only one practitioner in the city he's going to go to about it. Olympe is reluctant but ugh Ben would never forgive her if she didn't help.
2. Olympe has some sort of legal problem and she is reluctant to involve the white legal system but if she has to Shaw's the best option available.
3. Ben thought Marie Laveau was behind that jailhouse poisoning at the end of
Murder in July, but I always thought the symptoms sounded like the castor bean from
The Shirt On His Back, so like: what if that was Shaw and Olympe working together? What if that? (It would not be the first time Shaw arranged a convenient jailhouse death to protect Ben, after all...)
4. Any other time they teamed up, either behind Ben's back to deal with a problem before he even knew it existed, or just to deal with their own shit.
Abishag Shaw & Livia LevesqueSo here's what's amazing: they both clearly hate each other, and I don't think we've ever really seen them interact because LOL as if Livia willingly would, and also that is something Ben is willing to go to great lengths to prevent. Livia is still calling Shaw an animal thirteen books in, and I'm pretty sure Shaw has called Ben's mom 'a real piece of work' at least once, and, I mean, he's not wrong. And they are both very intelligent people who excel at using other people's perceptions against them and figuring out why other people do the things they do, and using that, and so I really want them to have to deal with each other. I don't really have specific prompts here, just a nebulous notion: maybe Livia has a problem and she's like, "Ugh, fine, I guess I'll summon Ben's pet American policeman," or maybe she's (however peripherally) involved in a case Shaw is investigating and he's like, "Fuck me gently with a not-yet-invented chainsaw, I have to interview Ben's mom." And then they are forced by circumstance to work together and/or use and/or respect one another's skill sets and forms of intelligence, and it's kind of horrible for both of them. And maybe one or both of them gains insight into What The Other One Thinks They're Doing Here that rattles the other, because...most people don't see that deep.
Hidden Legacy Series – Ilona AndrewsAugustine Montgomery/Connor RoganTheir friendship is really interesting to me, the way they often don't seem to
like each other that much, or at least are really prickly with each other—and yet they're also each other's best friend in the world, and know stuff about each other no one else knows. And, like, how we know they'd each kill the other person without a moment's thought if their family was on the line, but they'd feel really bad about it afterward, and in their world, that's really rare. It's honestly almost like they are family, or at least are operating on a higher level of intimacy than most of the relationships around them. I'm into it.
In keeping with my aforementioned infidelity DNW, I would prefer this to be set in either the period before Nevada and Rogan got together, or for there to be some kind of open relationship/poly arrangement going on.
1. Maybe in college they had an FWB thing that got complicated because of feelings/ended poorly when Rogan took off for the military. Maybe Augustine is still pissed about it and now that Rogan's slightly less of a mess he wants to talk it out/get back together.
2. When did Rogan see Augustine without his illusion? What's the story there? Was it something stupid, like a dare (was it another frat thing?) or something serious, like Augustine completely drained his magic somehow and Rogan had to rescue him from a bad situation? Or, at some point, did Augustine just trust him that completely?
3. I just really like the idea of Rogan making Augustine while he's undercover. Like, his illusion is flawless, his impersonation dead to rights, but there is some little detail that makes Rogan mutter, "Hi, Pancakes," in his ear as he walks past. (Maybe this is a game they play at society functions.)
4. Something with Rogan being a tactile okay go.
Cornelius Harrison/Augustine MontgomeryIn
Sapphire Flames when it's mentioned that Augustine came to the warehouse and picked Matilda up, everyone sort of brushes it off as, "Well, MII has a personal security division," which is
true, but doesn't explain why
the owner of the company is chauffeuring a random second grader, and so my brain helpfully decided that he's dating her dad. And I got a great fic for this ship for Shipoween that did not in any way make me ship it any
less, so. Yeah.
And I know there was that whole, "Cornelius will never truly love again," thing, but maybe that's not, like, definitive. Maybe science magic turns out to be wrong about that. Or maybe it's an FWB thing and that works for them, or something! Maybe somehow it all works out.
1. Thinking back to Augustine manipulating Nevada into taking Cornelius' case after Nari died, maybe Augustine has been carrying a torch for Cornelius for a while, but he knew it was hopeless and it was never going to be a thing. And now...it is a thing, and he's sort of freaking out, but trying to keep it cool because Augustine Montgomery does not
freak out. (Cornelius? Charmed.)
2. Something involving Augustine having to deal with Cornelius' animal friends. There are so many animal friends. One of them is a cat thing from another dimension. Augustine doesn't seem like a pets person, so it's...a lot.
3. Something about Cornelius having to deal with Augustine's best friend, Mad Rogan. It goes way better than Augustine and the menagerie does.
4. Something about Augustine's illusion magic. Maybe he's in disguise but Zeus is like 'oh hai' anyway, or maybe it goes haywire somehow and Cornelius has to help him get out of a situation. Or maybe the illusion magic has, uh, sexytimes applications. (NOT "I can look like your dead wife" as just occurred to me after I typed that. Fun applications!)
Matilda Harrison & ZeusI just really love this tiny, extremely smart child and her menagerie of Disney sidekicks, and also this giant blue cat monster from the eldritch realms who is now her friend. So: anything about Matilda and her pets, or Matilda and Zeus being friends and doing normal kid-and-pet things together at like the park (while people stare), or Zeus dealing with the rest of the Harrisons' menagerie. Or, like, anything, really, as long as Matilda and Zeus are having fun. (Sergeant Teddy can come too.)
Alternately, Matilda can be put in danger and Zeus can teach this week's bad guys why that was a really bad idea.
Kate Daniels – Ilona AndrewsHugh d'Ambray/Christopher Steed, Hugh d'Ambray/Elara Harper/Christopher SteedOkay, so after the part in
Magic Triumphs where Christopher tells Kate that A) unlike pretty much everyone else outside the Iron Dogs, he paid enough attention to figure out what Roland was doing to control Hugh pretty early on and B) Hugh took better care of him when he was in the cage than previously thought, and possibly than he was supposed to, considering it's mentioned he fed and talked to him only at night when no one else was around, and Hugh's guilt-flashback re: Christopher in the cage in
Iron & Magic and how he thinks about Christopher as the only Legatus he could ever stand, I went back and reread
Magic Rises and I realized that maybe Hugh set Kate up to rescue Christopher on purpose with the 'anything in this courtyard' wording (like, maybe not
consciously, because of Roland's conditioning and because he really didn't expect to lose that match, but on some level I really think he knew what he was saying there, because Hugh is not wired to withstand someone suffering on his watch like that and he had to fix it
somehow).
And now I ship it. It's a whole mess of history and dynamics to dig into and I'm into it.
As far as Hugh/Elara/Christopher goes, Christopher is a wildly magically powerful human with a god stuffed in him, whose hair was turned white by magic (Maybe? The books seem to go back and forth on whether it's blond or white. I think it's white.). Elara, as far as we can work out thus far, is a wildly magically powerful human with some kind of elder power stuffed in her whose hair was turned white by magic. What if Hugh has a very specific type? What if. I'm just saying.
Note: If you're writing something set during the era of the books, as opposed to the pre-canon Preceptor/Legatus era, please nothing sexual during the period when Christopher was mentally unstable. I'm happy for Hugh's marriage to Elara to remain a professional business arrangement, or with V-shaped poly or a triad, whatever you want to do there. As far as Christopher's relationship with Barabas goes, I can't really see Barabas sharing Christopher with
Hugh d'Ambray, but, I mean, maybe? However you can make it work!
Prompts!
1. Some kind of FWB arrangement set during their days as Legatus and Preceptor that maybe gets more serious than either of them meant it to, or mutual pining and both of them aware that it's a REALLY BAD IDEA as far as Roland is concerned, and then maybe after everything they meet up again and realize they have a second chance.
2. Or in that same period, something with Christopher and Hugh working together to salvage a situation, possibly one that's gone south thanks to Roland's meddling/not listening to Hugh/maybe even brainwashing Hugh. Like, when Omaha got broken, was that...was that what was supposed to happen? Or were they both pretty sure for about five minutes there that they were
super going to die (and then possibly "I can't believe we survived that" sex?)?
3. Something to do with Christopher losing his wing in
Magic Triumphs, because I have this notion that Hugh is the healer you call in to deal with the situation when you've got an actual avatar with an extra-crispy appendage, and then you've got Christopher, of course, devastated, and Hugh feeling really guilty about being unable to save the wing and yes good angst. (And then maybe the wing grows back?)
4. Something set during the preparations to face Neig, with Hugh and Christopher both being weirded out by how easily they fall into a groove of working together again and the Iron Dogs enthusiastically embracing Christopher because it's always nice when someone they used to know A) is alive and B) isn't trying to kill them, and also ragging the hell out of Hugh for having A Type. Meanwhile I feel like Elara and Christopher would be somewhere between "initially slightly spooked by each other" and
this.
5. Any sex is good sex, but I'm really feeling intercrural for this pairing, so please, Hugh, fuck Christopher's thighs. It will be so hot. (Or vice versa. It's all good.)
6. So oops it turns out Hugh can't marry Elara to seal their alliance because he and Christopher are already married. Maybe they didn't realize that thing they did as a quick way to solve a problem one time was legally binding. Maybe it was entirely on purpose and a secret. Whatever, just run with it.
Mercy Thompson Series – Patricia BriggsKyle Brooks/Warren SmithLet's talk about how much I have always loved Warren and Kyle. Like, on paper, they don't work: a hundred and fifty year old Texas cowboy werewolf who works at a gas station and a rich, human, Ivy League educated lawyer. And they both know that. And it doesn't matter. I love Kyle's ridiculous marble statues, and his vanity and the chip on his shoulder, and the way Warren loves those things too and sees Kyle's good heart. I love how easygoing and Texan Warren is, and all the pain and violence that's simmering away under the surface, and how Kyle doesn't care about all of the werewolf shit, he just loves him—and how Kyle, as he says in the short story "In Red, with Pearls," is his own kind of predator, and that just because he eviscerates his prey in court, not, you know, literally, doesn't mean he can't understand Warren's wolf.
Prompts!
1. There's like seven or eight rough months for Warren and Kyle between
Moon Called and
Blood Bound that we know very little about, and I'm really interested in this period—the pining and the draw that kept them coming back to each other (Were they sleeping together at any point in this period? That must have been really bittersweet) and saw Kyle hiring Warren, especially, but also how the 'so, werewolves' conversations went (and the fights, you know there were fights).
1a. Hey, there was a Valentine's Day in the middle of that! And wasn't that around when the werewolves came out officially? Make it hurt. Make it hurt
good.
2. Concept: Kyle gets turned into a werewolf. I feel like he'd probably be pretty good at it. How does that happen? Is it on purpose, like he's sick or something? Or does some rogue or some other pack trying to come at Columbia Basin, now that they're exiled, attack him? How does that affect the pack structure? How many bed frames do he and Warren break while Kyle is learning his new strength?
3. In
Frost Burned, Kyle reveals that his mating bond with Warren is starting to be two-way, but, being human, he just thought he was going crazy. And then we never really hear about that again. So: how does that psychic bond work for a human? Do he and Warren have enough control over it for it to be useful? Does it have sexytimes applications?
4. Something dealing with Kyle's family. Maybe his sister he still speaks to is coming to visit and he's
freaking out, or his deploying the nuclear option with regards to his father in
Frost Burned comes back to bite him (possibly on multiple fronts, I know you were going through a rough time but using your boyfriend as blackmail material was sort of...not cool, Kyle) has to be dealt with somehow.
6. As per some hinting in
Storm Cursed, Kyle apparently wants kids. I feel like Warren would not even have thought about kids because...that wasn't an option. So either they have an adult discussion about this and figure out whether they, in fact, want to pursue parenthood, or they semi-accidentally acquire like, some kind of magic toddler or something. Or like, both.
Adam Hauptman & Warren SmithHi, my name is
sadlikeknives and fun facts you might not know about me: Like Adam Hauptman, I'm from Alabama and I speak Russian! (Okay, I used to speak Russian. Now I honestly don't remember that much.) So I've always been really interested in Adam, and as previously established I love Warren, and I would really love to see more of their friendship explored. I feel like we're told more about it than we're shown, partly because it's rarely plot-relevant and thus exists as a sort of background thing. But they're both old, and Southern, and very dominant werewolves, and they get along like a house on fire, and I want more of that.
Prompts!
1. Patricia Briggs never really leans in on both of them being Southern. Like, they both canonically suppress their accents and 'y'all' is described as 'bad grammar,' (I'll fight you Briggs) which they only use deliberately in certain contexts. I will accept these speech patterns, even if I'm not thrilled about them (especially for Warren, who has had no good reason to suppress his accent), but there is more to being Southern for them to bond over. Especially food. I would love to see them bonding over food. Do they both have a pitcher of sweet tea in the fridge at all times? Are they still weirded out by the Yankee madness that is sugar in cornbread? Does Warren show up at Adam's office one day to kidnap him for lunch because he finally found a place that makes decent collards?
2. Reading between the lines in the last couple of books, possibly starting from
Silence Broken, possibly from the entire pack ending up at his house in
Frost Burned, it looks like Warren is inching closer to being recognized in his rightful place as second in the pack (independent of the question of whether Darryl might be leaving to become an Alpha). Like, in one of the Alpha & Omega books it's mentioned that generally the pack's second's house is a secondary gathering place, and Pack Movie Night's been happening at Warren and Kyle's for a while now. And I think that would be great (especially if Darryl can stay), because Warren's placement has been unfair and artificial since the beginning, but I feel like Warren would
still be hesitant/concerned, and need some reassurance from his Alpha/bestie.
3. Something about Warren and Adam's early relationship. I keep thinking about how Warren worked at the closest gas station to Adam's house, before Adam even built that house. And he was besties with Mercy. They
definitely met,
several times, before Mercy approached Adam about him and Adam invited Warren to join the pack. Like, there was probably some kind of formal notice when Adam & Co. first showed up, right? And so it seems weird that Adam never even thought about inviting Warren to join the pack before, even considering he's *gasp* gay. Did he think he
wanted to be left alone? Did he think Warren was probably pissed because the Tri-Cities were basically his territory before Adam showed up? Did Warren show up to that meeting with Adam expecting to be told, "It's been real, now, leave town." What was going on there? And what were Warren's early days in the pack like? Apparently Christy thought Warren might make a pass at Adam; how much did the two of them laugh over that?
4. Poor Warren stuck in the middle of being Mercy's best friend AND Adam's best friend while they were determined to not get along.
5. Something about Adam meeting Kyle and realizing he needed to Do Something about these heteronormative homophobic werewolf rules before Warren lost this guy. Be a good wingman, Adam. (Or at least try, as ultimately everything blew up and it was Mercy who had to Do Something.)
Soulbound Series – Hailey TurnerPatrick Collins & Gerard Breckenridge | Cú Chulainn, Patrick Collins/Gerard Breckenridge | Cú ChulainnFrom the first moment Gerard showed up in that phone call at the end of
A Ferry of Bones & Gold cussing Patrick out for working with the goddamned vampire again, I was delighted and in love. And then he actually showed up on the page and:
1. Oh, no, he's hot.
2. Oh, no, he has a spear and that's hot.
3. Oh no, he's
fucking Cú Chulainn.
Amazing.
It's not actually clear to me that Gerard is, technically speaking, a god? Like, certainly he is an immortal, but is he a
god? (By some interpretations, I believe Cú Chulainn is a demigod/basically a divine hero, others consider him an incarnation of Lugh. It's complicated!) I don't think this actually matters for Patrick being mad at him, but like, it might. Anyway if you want to do something with that murkiness it could be a thing.
A thing you may or may not be aware of: there's a free prequel short story, "Down a Twisted Path," available via Hailey Turner's website (I believe you have to join her mailing list to get access, but don't quote me on that) in which Patrick & Gerard interact, and I have read that, but if you haven't, that's fine, I don't think it's necessary.
If you choose to go the shippy route, regarding my infidelity DNW: As per Irish legend, Cú Chulainn is, uh, a giant slut (and probably bi), and his wife Emer was pretty much fine with that (except for the one time he caught feelings for the sea goddess Fand, but that's another story), so I'm assuming that Órlaith is also fine with it and they have an open relationship (and like...maybe it's an AU where Gerard happened to mention he was engaged at some point in the past). On Patrick's end, if you're writing a fic set after he met Jono I'm good with whatever AU or poly arrangement you come up with to make that work.
Some prompts!
1. Something set during the Hellraisers era, whether that be, like, "I can't believe we survived that," sex, or facing down some unspeakable evil together, or drinking games. Or all three.
2. Or maybe Patrick had a puppy crush on Gerard (because, look at him), but he was young and already fucked up and under his command so that never happened, but now two of those three things are no longer true, so: maybe?
3. Cú Chulainn's berserker state, the warp spasm, is hinted at several times, especially in the third book, but it hasn't happened yet. I would like to see it, please, and everyone else freaking the
fuck out.
4. Something dealing with the revelations of book three and Gerard and Patrick working to repair their relationship.
5. After the dust settles Patrick figures out that as per Gerard's bargain with the Cailleach Bheur, technically he is going to have to move to Ireland at some point, because he is one of Gerard's people. He's not into this plan. So they've got to figure out what they're doing about that.
6. Jono and Gerard make friends over how Patrick is a dumbass who should stop trying to get himself killed and stop talking to vampires, and it's the worst best thing that has ever happened to Patrick.
7. Gerard has got one hell of a sharp tongue on him, and now that his secrets are out I would like to see him giving both edges of it to some of the (other) gods fucking around in Patrick's life. Specifically, I would like to see Persephone try to tell
him that Patrick, and by extension the Hellraisers and Gerard himself, failed in Cairo (when the Dominion Sect didn't get a fucking godhead, did they, Persephone?), and the smoking crater that happens next.
7a. Or let him read Lucien to filth like he so desperately wants to.
8. Based on what we know of what happened in Cairo/what happened to Ashanti (and considering how unclear that is I am prepared to be completely wrong here), shouldn't Gerard be, like...dead? Does this have something to do with that murkiness regarding whether or not he's technically a god that I referenced above (Thanks, Human Mom!)? Did Gerard actually figure he might die there and was like, "Oh, well, acceptable risk," and proceeded with the plan anyway? Or did he not have a clue until Ashanti showed up and promptly dropped dead? Either way I would like to see Patrick figure this out and be retroactively horrified.
Patrick Collins/Jonothon de VereThis canon and this pairing could have been tailor made for me, holy shit. HE'S a lonely alpha werewolf who just wants a pack to take care of, to whom the god Fenrir speaks. HE'S a mage with secrets, dramatic scars, and metaphysical damage that makes his magic painful and draining to use, resulting in many opportunities for h/c, despite the fact that he takes to h/c about as well as a cat does to water. Also he's indebted to the gods and they keep trying to run/ruin his life. They have an ACCIDENTAL SOULBOND and one of them thinks it's great and the other one thinks it's the worst thing ever. Together, they fight crime and learn about found family. AMAZING.
PROMPTS!
1. See above re: opportunities for h/c. Maybe Patrick overtaxes his magic again. Maybe he just has the flu! Maybe something else. Whatever way you go with it, Jono's caretaker instincts are triggered and Patrick is grumpy about it (But humoring him. Yeah, that's what it is. Humoring him.).
2. Something involving their CANONICAL SOULBOND. I'm not picky.
3. Listen just make them fuck and I'm happy. Bonus points for something about Patrick's scars/self-consciousness about his scars and/or Jono's need to make Patrick smell like him.
4. Something involving the various gods in their lives! Either something about Jono dealing with Fenrir's opinions/interference or just, like, Patrick's whole situation. Or both, both is good.
5. "We are trying to have date night/Valentine's Day like a nice normal couple but supernatural bullshit keeps interfering so much."
6. Jono attempts to teach Patrick to cook. It...it goes...on the bright side, the kitchen did not burn down? At least Jono's really hard to poison? (Gerard & Keith: "Wow you're so much braver than us.")
West Hell Magic Series – Devon MonkReal talk I don't understand how this series doesn't have more of a following in fandom. It's about werewolves and wizards playing hockey! It's super slashy! What more do I need to say?
Hawthorn Graves/Random HazardOkay so in the scene where Ran sees Graves for the first time, when he's just some random guy at the skating rink, the way he described him had me going, "Is this...is this an M/M book? It didn't say anywhere that it was an M/M book but YAY!" And then the female love interest showed up and it turned out to not be an M/M book after all, but for a while there I really thought it could be! And like, it only continues with the way Graves is willing to toss himself on the sword of the Dead Man trade for Ran and Ran's promising career in
Spark, and just, like, it's slashy as hell, okay?
1. Seriously what the fuck is Graves? My best guess at the moment is, "Dragon? Maybe?" but take your best shot. Or don't and just play around with the weirdness we've been given.
2. "You're just starting your career, I'm near the end of mine, this can't last....but we really want it to last..."
3. Maybe Graves helpfully points out to Ran that if his middle name is somehow disastrous enough to not be preferable to being known as 'Random Hazard,' there is always a thing called a legal name change he could explore. Maybe that.
4. Graves tests Ran's control over his magic...during sex.
Hawthorn Graves/Elliott ClayThis might actually be canon? They've known each other for ages and that scene in
Spark where Coach Clay borrows Graves' phone but Graves won't actually let him touch it because he'll just break this one, too did nothing to convince me they're
not an old married couple, anyway.
1. See above re: WTF is Graves? I feel like Coach Clay might be the one person who already knows the answer to this question.
2. Something with them sneaking around hiding their relationship from the team. Sex in an equipment closet. Sex on Clay's desk, possibly with "you've been a bad bad player and you need to be punished" roleplaying. Also, "We're too old for all this sneaking around."
3. The two of them watching the younger generation's *cough*Ran*cough* drama like "Were we ever that young?"
4. Or! Maybe they're NOT in a relationship yet. Maybe they've been like two ships passing in the night their whole careers and it was just never the right time, and now Clay is in a position of authority over Graves and it just wouldn't be right, he feels, and there is pining, and then Graves finds out that THAT'S what the holdup is this time and is like, "LOL sure authority, screw that, let's get it on."
5. Just like...anything involving Coach Clay being a were-snow leopard, because that's awesome.